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{"id":1151,"date":"2023-07-10T09:18:21","date_gmt":"2023-07-10T07:18:21","guid":{"rendered":"https:\/\/dev-asbo.xdams.net\/?post_type=attivita&#038;p=1151"},"modified":"2023-07-10T09:18:22","modified_gmt":"2023-07-10T07:18:22","slug":"7-frammenti-manoscritti-busta-iv-1","status":"publish","type":"attivita","link":"https:\/\/dev-asbo.xdams.net\/en\/attivita\/la-fortuna-di-dante-e-i-suoi-primi-cultori-nei-documenti-dellarchivio-di-stato-di-bologna\/7-frammenti-manoscritti-busta-iv-1\/","title":{"rendered":"7. Frammenti manoscritti, busta IV, 1"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Commento di Jacopo della Lana al canto XXXII del <em>Paradiso<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il bolognese Jacopo della Lana fu il primo a comporre un commento della <em>Commedia<\/em> in volgare. Inoltre, a differenza di quello latino di Graziolo Bambaglioli, che lo aveva preceduto di alcuni anni, il commento laneo non si interrompe alla prima cantica, ma procede per l\u2019intero poema. I codici e i frammenti, anche molto antichi, trasmettono una lingua non schiettamente bolognese, ma anzi fortemente influenzata dal veneziano. L\u2019attenzione dimostrata in ambienti bolognesi per la <em>Commedia<\/em> a pochi anni dalla sua pubblicazione, avvenuta verosimilmente a Bologna nel 1322, assunse dunque anche la forma del commento, sul modello di quanto avveniva in ambito universitario per le glosse e le spiegazioni estese che accompagnavano le <em>auctoritates<\/em> delle discipline accademiche, essenzialmente il diritto civile e canonico.<\/p>\n","protected":false},"featured_media":1154,"parent":1102,"menu_order":0,"template":"","target":[14],"class_list":["post-1151","attivita","type-attivita","status-publish","has-post-thumbnail","hentry","cosa-facciamo-mostre"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>7. 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